This 8-track album is about how ancient civilization, present humans, and our future selves are one and the same. And how this knowledge acts as a catalyst to new mental-spiritual territory. The music is deeper than in his prior albums and tells a complete story, from beginning to end. It's a journey that will take the listener on a psychedelic,

This 8-track album is about how ancient civilization, present humans, and our future selves are one and the same. And how this knowledge acts as a catalyst to new mental-spiritual territory. The music is deeper than in his prior albums and tells a complete story, from beginning to end. It's a journey that will take the listener on a psychedelic, paleo-futuristic ride. Sonically it resides in a non-place, a metal jungle, a Balkanic spaceship, a watery core. Besides 3 female vocalists featured on the album, all other sounds are direct from Uji’s imagination. Nyaruach from Sudan sings in Quemaquema and acts as a taunt female counterpoint to Uji’s deep tribal voice. Zola Dubnikova harmonizes with Uji as if she were a long distant lover from a past life. Kristine Barrett belts out Icelandic and Balkanic inspired vocals, the great mother landing on the mothership. Uji sings in a majority of the tracks, using his non-verbal made-up language to inspire imaginary tribes and direct vibrational communication.